Women in Voice #25 (Women in Voice in Association with Brisbane Powerhouse)
Brisbane Powerhouse, Powerhouse Theatre
November 10 – 12
“Women in Voice” is a much-loved feature of the Brisbane music and theatre landscape, which not only goes from strength to strength, but increases in popularity each year, as evidenced by its packed Powerhouse Theatre audience. The local phenomenon is not only well-liked, but unique in many ways, including its allowance for all performers to leave their distinct mark in curation of its program. In its silver anniversary show, this is ever the case with its versatile program ranging from ethereal ‘60s numbers from the stellar Allison St Ledger to Carita Farrer-Spencer’s faded diva delivery of self-lamenting standards and all things French, from Pepe Le Pew to Manu, featuring alongside segments also from a soulful Pearly Black and powerhouse vocalist Ellen Reed.
With such a formidable line-up of superlative songstresses, of course all performers are of excellent voice. Indeed, the immense talent of all the women is undeniable, especially when they join together for a final ‘Good Vibrations’. Ellen Reed, is, however, a standout, especially in stunning delivery of a soaring ‘When A Man Loves a Woman’ from “The Rose”. The song features as part of a unique set in which she sings ‘man’ songs whose narrative changes when sung by a woman.
Offering a different perspective is a key factor of the show’s success as the songstresses ensure audiences appreciate well-known songs and lyrics anew. Pearly Black moves from Carole King’s ‘I Feel the Earth Move’ to a raw and vulnerable ‘Jealous’ yearn by the divine Chrissy Amphlett. And Reed both strips back George Michael’s synth-y ‘90s chart-topper ‘Fast Love’ and shares an intimate rendition of Radiohead’s ‘Creep’ complete with carivalesque musical accompaniment.
Under the musical direction of Stephen Russel, the Women in Voice Brand is versatile in support, but given chance to shine in numbers like Black’s share of Joni Mitchell’s sweet ‘Edith and the Kingpin’. The most memorable moments, however, come from a very funny Bridget Boyle as emcee in role as ‘fine Rockhampton artist Anna Smart’ who entertains with a tambourine/interpretive dance routine, complete with ‘Piano Man’ sing-along. She also provides a hilarious highlight with a ‘needed’ political statement through mashup of Cold Chisel, Midnight Oil and Rage Against the Machine’s ‘Killing in the Name Of’, which serves as contrast to the an earlier ensemble ‘Meet You in the Middle of the Air’ by Paul Kelly in fitting tribute to those of the Women in Voice cannon who have been lost, including pioneering rock chick Carol Lloyd.
Certainly, the “Women in Voice” celebration of individuality of entertainers from different musical backgrounds and generations offers something for everyone in its diversity of musical choices and arrangements. And at well over two hours duration, the immensely entertaining musical experience makes for a marvellous night out. See these ladies once and you will surely be in their audience annually as the institution continues to journey from an intimate concert in an alternative café in West End to the longest constantly running local production in Brisbane’s history.