Reindeer revelations

A Very Naughty Christmas (Understudy Productions)

Brisbane Powerhouse, Visy Theatre

December 7 – 16

“Naughty is the new nice” we are told as “A Very Naughty Christmas” begins with Pentatonix’s ‘Good to be Bad’. From here, the show follows snippets more so than stories the little family that surrounds Santa (Stephen Hirst), the scantily clad Saint Nicolas who sizzles onto stage with a swaggersome ‘Santa Claus is Back in Town’, Elvis style.

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Featuring a live band, ten performers and Christmas songs as you’ve never heard them before, this is a Christmas at its most salacious. And its winter wonderland is never as hot as when the dryly-humourous Vixen (Aurélie Roque) shares a filthy and fabulous ‘Jingle Bells’. Apparently, animosity runs through the reindeers’ ‘classic office dramas’. Not only is Vixen regretful of her romance with Nick, but Comet (Claire Owen) hates the oft put-upon Rudolph (Jason Bently) for trying to steal her role as head navigator, so is determined to seduce Santa to let her light the way. And the scampy Prancer (Adwan Dickson) is somewhat inhibited by his Judaism.

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The show is cleverly constructed to combine santa-mental yuletide songs with reimagined Understudy Production’s unique and far-from traditional takes. An all-ensemble finish with Tim Minchin’s contrarian carol, ‘White Wine in the Sun’ is perfect in its universal emotion and inclusive sentiment as much as its melodic delivery, leading into Mariah’s merriful ‘All I Want for Christmas is You’ to fill even the most bah humbug of souls with the sprint of the season. The lovestruck Dasher (Lachlan Geraghty) and anxious Dancer (Monique Dawes) also share a lovely ‘Last Christmas’.

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Certainly “A Very Naughty Christmas” showcases the abundance of vocal talent within its cast. More roadie than reindeer-like, Cupid (Chris J Kellett) delivers a strong, melancholic initial traditional take of ‘White Christmas’ before transporting it to a tongue-in-cheek more literal, bigoted bogan place of reminisce. Ruby Clark showcases strong vocals in her sing of ‘Santa Claus is Coming to Town’ to equally naughty Donner (Emily Vascotto). And when Rudolf is finally given his moment to shine, shine he does, courtesy of Bently’s vibrant vocals. This is all of course due in no small part to the wonderful work of the on-stage band of Keita Neralic on guitar, Dan Smith on drums and Elliot Parker on bass, under Musical Director Tnee Western-Dyer on keys.

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With everything from classic carols to modern pop and even an all-male “Mean Girls” bit, “A Very Naughty Christmas” is the perfect experience to get audiences in a holiday mood. Though there are some political pokes, everything is light-hearted. Indeed, there is a tap number and even a ‘Rudolf the Red Nosed Reindeer’ singalong. With sugar and spice and all things both naughty and nice, it is a wonderful celebration of the sentiment of this special time of year, full of delightful fun and rather-not-know revelations like why Santa needs to get the sleigh reupholstered so often.

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