The IsoLate Late Show – Episode 4 (The Little Red Company)
Initially my plan was to just review the first three episodes of “The IsoLate Late Show”, but then the little red company took things to another level, rolling out episode four from the show’s new La Boite Theatre home, still sans audience obviously, but with some bang-on production values, especially considering the challenges of the current situation.
Immediately, the night’s dancing theme is evident with a ‘Shut Up and Dance’ duet from Luke Kennedy and Naomi Price, with guitar hero Jason McGregor’s accompaniment making the power pop song all the more irresistible for a sing-a-long. And, in keeping with the theme, the audience is also treated to a dance number from The Dream Dance Company, to remind us of the self-reward of aesthetic appreciation in disposition development, such is the little red company’s commitment to showcasing a wide range of talented creatives in whose hands our artistic future lies.
Lai Utavout continues to set the tone with a visual extravaganza to disco anthem ‘Young Hearts Run Free’, complete with remote musical accompaniment, however, the show is, as always, far from one-note. Irena Lysiuk again gives us some light and shade in a stripped-back Jonas Brothers number and Naomi Price chanteuses us through Norah Jones’ jazzy ‘Turn Me On’, showcasing her vocal versatility and eclecticism, while McGregor and Bobbie Lee Stamper join in guitar collaboration to share a flawless take of the gorgeous Beatles classic ‘Blackbird’, bring back memories of Price’s La Boite show “Lady Beatle”.
Stamper also continues the dancing theme with some smooth Springsteen sounds, live from Sydney. Everyone’s favourite elf (courtesy of “Christmas Actually”), Tom Oliver gives us harder rock in a comfortable robe and slippers with a bitter but groovy ‘Lonely Boy’, before joining with Kennedy for a standout, soaring ‘As The Days Go By’ duet of towering vocals, because Braithwaite makes everything alright. Indeed, it’s a show of duets this week with Kennedy and Price also giving a spectacular ‘Shallow’ of moving melody in accompaniment of the powerful and poignant pop ballad’s stunning musical contrasts. Things never drift too far from the dance theme though with a socially (distancing) responsible version of ‘Dancing in the Street’ teasing us into a lycra and leg-warmer ‘Physical’ from Lysiuk and Price before a ‘Toxic’ extravaganza home school of rock showcase sees even members of Queensland Chamber Orchestra, Camerata bringing us Britney as we’ve never before seen.
The arts sector being unsupported by the government stimulus package means an uncertain future for creatives and the industry itself for the foreseeable future. Tuning in to “The IsoLate Late Show” and donating to the Actors’ and Entertainers’ Benevolent Fund QLD allows audience members to show this suffering industry that though they have been ignored, they are not forgotten. Not only do we get to share in celebration of the evolution of this show over such as short amount of time, but we are treated to a weekly reminder that as the days go by we do get a bit closer, even if we are still socially distanced apart.