Holly-time folly

A Very Naughty Christmas (Woodward Productions)

La Boite Theatre, Roundhouse Theatre

December 1 – 17

Think you’ve been good this year? Well, “A Very Naughty Christmas” will soon fix that. Brisbane’s favourite adults-only yuletide comedy is back, more ridiculous than ever and now in its intimate new home of La Boite’s Roundhouse Theatre.

A winter wonderland has never been so hot when, shadowed away, Brisbane’s sexiest carollers wholesomely tell us to have ourselves a merry little Christmas, before launching into a string of yo mama type jokes escalated to the extreme to get audience members into the unique franchise’s feels-so-good-to-be-bad holiday spirit. The 80-minute 18+ musical Christmas comedy show, is now in its sixth year, which means its traditions are well and truly established. From an Andrews Sisters type number with a twist to an all-male “Mean Girls” ‘Jingle Bell Rock’ intro tease into a pumping twerking type number, familiar nods are there for repeat offenders to appreciate. There is also a sacrilegious story time share of the real tale of Christmas, a long time ago in a galaxy far away, with audience ‘volunteers’ making its nativity scene amongst the most memorable parts of the evening.

The adults-only tone of the show also remains well and truly intact, with its political incorrectness, dirty language and low brow humour all crafted together with wonderful wit. Stephen Hirst again has a charming appeal as the cheeky Nick, and his pants are off almost immediately with his introductory, almost gospel-esque ‘Back Door Santa’ number. And later there is his cleverly-crafted, innuendo-laden, suggestive ho ho ho share about what Mrs Claus potentially gets up to at the North Pole et al.

The ensemble cast of scantily clad performers share in bringing us all sorts of salacious segments as cast regulars Hirst, Emily Kristopher, Aurélie Roque, and Shay Debney are joined by newcomers Ethan Jones, Em Whitefield and Taylah Ferguson. And while all performers are very good at what they each do, Debney is both a standout and an audience favourite as he scampers around as Santa’s poor put-upon elf, especially in his bounce about in ‘Six White Boomers’.

A live band (Dominic Woodhead on keys and guitar, Tom Collins on guitar and bass and Chris Evans on drums) helps in bringing to life the show’s soundtrack of Christmas classics as never heard before, and providing the bed upon which vocalists lay some splendid harmonies including in the traditional closer ‘All I Want for Christmas is You’. Yaxley, in particular, showcases some strong vocals in ‘Never Fall in Love with an Elf’, delivering the number from the Broadway musical based on the beloved 2003 movie about Buddy the Elf with a combination of wry pizazz and heartfelt lament. And thanks to Kristopher, you will likely never listen to the Divinyls quite the same way again.

Things are updated in light of 2022 events with lyrical mentions of Elon Musk and an attempted Tik-tok type of rebranding of Santa. After we hear about how Santa discriminates according to socio-economic status in this time of cost-of-living concerns, there’s also a high-energy Christmas can-can reminder of the shopping centre and family lunch elements of the most wonderful time of year, cresendoing into a spelling out in choreography moves, ‘Supercalifragilisticexpialidocious’ style.

With numbers featuring burlesque, tap and even some riverdance moments, there is something for everyone in “A Very Naughty Christmas”… apart from the easily offended. If you like having a laugh, partial nudity and a mixed playlist of classic carols to modern pop, the irreverence of “A Very Naughty Christmas” is sure to get you in the mood for the silliest of seasons. Its mischievous celebration of the season of holly is full of filthy, frisky folly, making it the perfect escape from your festive season stresses, for return and newbie audience members alike.

Photos c/o – Joel Devereux

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