After the year that has been, everyone is in need of some sunshine and succour to their soul so the return to the magic of live music with Brisbane Powerhouse’s “Sunshine Sounds” is a particularly welcome Sunday afternoon session. The show, which features renowned artists Katie Noonan, Louise King and Andrea Kirwin in concert, represents the last in the performers’ mini tour and a wonderful opportunity for Brisbane audiences to share in their stories of music and friendship.
Every singer songwriter has a coronavirus song, Fijian Australian soul songsmith Andrea Kirwin safely assumes before sharing her own ‘We Shall Overcome’, assurance that the sun will come shining through. Topical as its content may be, its realisation appears typical of the independent artist’s heartfelt folk and blues-style musical stories. Indeed, the prolific festival performer has an earthy sound that sees her soulful sounds soothing us into the afternoon with the show’s over-all-too-soon opener ‘Young Wild and Free’.
Kirwin has a warm stage presence and a compelling calm that charms the audience through between-song festival stories and reflections about her artform. When she shares her take of Tracey Chapman’ ‘Give Me One Reason’, however, the distinctive guitar melody is base to both initially gentle verse and a growing daring and defiant energy. Her versatility is further evident when she is joined on stage by internationally renowned cellist Louise King for an inspiring ‘Bloom’, the title track of Kirwin’s new album and emotionally-captivating ‘Love Will Save the Day’ tribute to Brisbane Pride and the belief that love can find a way.
Continuing the coronavirus theme, five-times ARIA Award winning and seven-times platinum selling singer/songwriter Katie Noonan talks about the disempowerment of hotel quarantine in introduction to her new number ‘Golden Light’ and its reflection of the gift of gratitude that this year has provided. And its repeated ‘let me adore you again’ tribute to her husband is spine-tingling in the exquisiteness of her vocal range and intonation.
Amongst original numbers, Noonan takes us back to the early 90s courtesy of an independent feminist Brisbane folk band Isis number and also applies her opera-like vocals to another suitable COVID-19 tune, Whitney Houston’s ‘I Wanna Dance With Somebody’, albeit paired back to be presented as an emotional piano ballad of heartbreaking longing to break free from loneliness and isolation, in call-back to her recent Brisbane Festival show, “The Sweetest Taboo”.
King has also used COVID-19 time to work on her craft, the contemporary classical musician tells us, before bringing the beauty and diversity of music written for cello to our ears. The biggest surprise is not the instrument’s beauty, however, but King’s illustration of its remarkable vitality and versatility through soothing laments, blue grass sentiment and First Nations’ sounds alike.
Though the Queensland women all have their own distinct sets, time is also included to celebrate the very up-and-coming talent of 11-year-old Layla Barnett who wows the audience with a beautifully serene delivery of Noonan’s former band George’s debut single, ‘Special Ones’. It really is an afternoon of celebration appropriately surmised in a final collaborative ‘I Am Woman’ affirmation and tribute to Helen Reddy. So, thanks to funding as part of the Queensland Government’s Arts and Cultural Recovery Package, the production not only allows three acclaimed performers to share their talent, but introduces us to that of an outstanding young newcomer.