There’s Something About Mary(s) (Cassie George)
Brisbane Powerhouse, Turbine Studio
November 23 – 26
Although promoted as being an insight into the mildly unhealthy symbiotic relationship between one woman and the entire gay community of Brisbane, “There’s Something About Mary(s)” is no ‘Lady Ga Ga at the Superbowl’ type spectacular. There’s no rainbow flag, but there is some Cher amongst plenty of well-known tunes as Cassie George presents her hopeless romantic love timeline from devout and demur Christian school days to university study of musical theatre and being queen-in-waiting to a gaggle of gags.
As audiences saw when the then-ten-minute version of the show played as part of the 2016 Short+Sweet festival, Cassie’s needs are simple; she wants romance with someone who is smart, sensitive, and sincere and all the things summed in ‘Kiss’. This is just one example of how songs are made her own as the narrative finds its way to ‘Believe’ admission of being in love with love.
George has a powerful voice that is showcased in vibrant delivery of Hilary Duff’s ‘What Dreams are Made of’ talk of dates with legitimate heterosexuals. Jewel’s ‘You Were Meant for Me’ is another strong number that platforms her solid, clear and characterful vocals. Her charisma as a performer is best showcased, however, in numbers where she moves from internal thoughts to awareness that she’s been singing them aloud, like Christina’s Aguilera’s ‘Come on Over (All I Want is You)’, animated and amusing, even before audience involvement enhances its humour even further.
Another highlight is a sassy Salt-N-Pepa breakout, despite Musical Director Luke Volker’s reluctance to rap along with ‘the voodoo that makes you wanna shoop’. Volker is a vital part of the show. Not only can ‘no pianist improve on the way he plays that groove’ but his reactions and interactions with George are part of the work’s special charm.
As cabaret shows go, “There’s Something About Mary(s)” is a burst of humorous, energetic and light-hearted fun. At less than 60 minutes running time, it seems over just as it has begun and although its songs are strong lyrically and musically, they could be crafted together to fashion more narrative clarity in support of its genuine feel-goodness.