The Sweetest Taboo (Katie Noonan)
September 19 – 20
Like our first kiss or heartbreak, we all remember the first albums we bought with our own money. Maybe they were something reflectively cringy or perhaps, like Katie Noonan, they were purchased from somewhere cool like Rocking Horse Records in Adelaide Street. Returning to her beloved genre of jazz, Noonan presents this as the organising centre of her show “The Sweetest Taboo”, in which reinterpretations of classic ‘80s songs that shaped her life are presented with her band (Zac Hurren on saxophone, Aaron Jansz on drums and brothers OJ and Steve Newcome on double bass and piano respectively) in a manner that carefully curates the show’s numbers to new life.
From A-ha clip astonishment to hairbrush Queen Cyndi Lauper singalongs, there is much with which audiences of a certain vintage can identify as Noonan anecdotes about the music that has accompanied her journey from opera to jazz, even if it sometimes takes a few moments for gasps of recognition to ripple through the appreciative crowd. And even though some of her early musical heroes are a little unexpected with a set list that includes numbers from, for example, Crowded House, Vince Jones and U2, they somehow all smooth together in the sweetest of ways.
For those unfamiliar, the show takes the audience through the track listing of a new album of old songs, Noonan’s 20th studio album of the same name, which offers interpretation of pop favourites from the Aria Award winning performers formative years. Stripped back readings allow her astonishing voice the centre stage it demands. From the opening strands of a serene and sensitive ‘Don’t Dream It’s Over’, the extraordinary beauty of her vocal instrument is undeniable and the time she takes to allow every note to linger, leaves us in no question as to the rarity of her talent. And while numbers like Terrence Trent D’Arby’s soulful gem ‘Sign Your Name’ are stirring in their sultriness, upbeat ones like Icehouse’s ‘Electric Blue’, reimagined with a laid-back Latin flavour and the infectious melodic fun of Eurythmics’ ‘When Tomorrow Comes’ add much to the show’s texture. ‘
Noonan is a generous performer and audience experience is enhanced by her share of the stage with the other musicians. Every artist is given their moment to shine. Most notably, Steve Newcomb makes Whitney Houston’s ‘I Wanna Dance With Somebody’ an especially relevant emotional piano ballad of heartbreaking longing to break free from loneliness and isolation, while Zac Hurren’s saxophone beautifully completes Billy Joel’s ‘Just the Way You Are’, because what is an ‘80s show without a good slap of wailing saxophone solo?
What Katie Noonan has created in “The Sweetest Taboo” is a wonderful place where loving daggy ‘80s love songs and Man of Colours Iva Davies double leather no longer have to be a guilty secret. Stunning vocals and musical rearrangements make for moving reconnection with songs of an era whose music deserves celebration, appropriately now in a grown-up jazz way. More so though, the stripped back ‘80s pop hits have an emotional honesty to their lyrics that might otherwise be missed, so experience allows not only reconnection to our past selves but reconsideration of our own musical tapestries.