Bard style and stuff

‘All the world’s a stage’ we are told by a melancholy Jaques in Shakespeare’s “As You Like It”. In the coming weeks this is especially true as the Anywhere Theatre Festival offers opportunity for Brisbane audiences to be immersed in theatre anywhere. This is not a normal theatre festival with shows instead taking stage in carparks, heritage homes, bookstores and backyards, amongst other obscure locations…. anywhere but on a traditional theatre stage.

Jaques’ iconic monologue opener is especially apt for this year’s festival, which features a number of Shakespeare works…. of sort. Shakespeare Plugged In’s “Much Ado” is a collaboration in the form of an immersive rock event featuring original tracks adapted from Shakespeare and written by local musicians. Indeed, the epic immersive creation promises killer music as it attempts to fit its witty Shakespearean comedy namesake with original songs, into 90 minute story of competing musicians on and off stage on the night of a home venue gig, performed in and around legendary Brisbane bar and venue, The Zoo.

Amongst other Shakespeares there is also Pastiche Theatre Collective’s “Romeo and Juliet and Friends” at Fortitude Valley’s Daily Planet Café which, rather than serving as an adaption, sets out to explore why we feel the need to keep changing the original tale of woe. And not really using a text at all is “A Midsummer Night’s Whatever” from Edge Improv at Annerley’s Junction Hotel, which every night sees its three actors devise and perform a band new Shakespearean play, based on audience suggestions.

One problem with getting people to see Shakespeare is that it’s often quite long, so these productions, which are of more manageable duration make for excellent either alternatives or toe-dippers to traditional takes. Coming fresh from opening night last week of Queensland Theatre’s “Twelfth Night” I am eager to keep the Shakespeare ball rolling by seeing 400+ year old texts being given new life by practitioners experimenting with dressing them up, stripped them down and turning them inside out.

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While online dialogue of late may be around consideration of it there might be too much Shakespeare, productions continue to show how, even when modernised and recontextualised, his works remain universal in their themes of passion, love, lust, loyalty and vengeance, which, as human emotions are not dependent upon time, place or culture. Certainly there is power in forcing an audience to consider a new take on what they thought they knew. To have the experience unfold in an unusual setting only adds to the curiosity, making the suggestion of shows like those on offer at this year’s Anywhere Festival entirely irrestable to a Bard girl like myself.

This is my fifth (I think) year as a Festival reviewer and, with this repertoire in mind, I know that anything Act/React is also sure to be great. Having brought Brisbane smash, sell-out hits such as “Speed: The Movie, The Play” and “Titanic: the Movie, The Play” and last year’s Anywhere Theatre Festival fun “Let Them Eat Cake”, the improve troupe are back again with “Kiss of the Vampire Squid”, a tribute to nautical myths and legends, and ghost stories of the sea, on-board the HMAS Diamantina at the Queensland Maritime Museum at South Bank. With promise of a live piano accordion soundtrack some marvellous ocean-inspired creature creations in complement to its audience-inspired comedy, it is sure to be heaps of fun when it kicks off on opening night of the Festival on Thursday 10th May for its sixth show run.

This of course, is but a mere snapshot of what this year’s bigger and better Anywhere Theatre Festival has on show. There is so much ado around in Brisbane during May; you just need to look around and, in the case of the Anywhere Theatre Festival, get immersed for unique theatre experiences and Shakespeare like you haven’t seen before.

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